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the music hat

Sadly, many of our colleagues in less-enlightened schools are asked to take responsibility for teaching a particular strand of the curriculum during their time with students, often in that time when they are covering teacher preparation and planning time.  And while that can be a way to embed the information literacy skills that are an integral aspect of each strand of the Australian Curriculum, often the teaching and learning becomes a content-building exercise and tends to be limited to subjects like Science, Geography, History or Humanities and Social Sciences, or in some cases covers the broader elements of the General Capabilities and Cross-Curriculum Priorities and those Key Learning Areas become the stand that the hat is pinned on.

But what if we looked at some of the other strands, like Music for example? How can we cover the intended outcomes while enriching the students’ knowledge of and appreciation for literature, showing them that in real life some things have no artificial boundaries? 

Yes, we can get students to research the lives of various musicians or investigate the instruments of the orchestra.  But maybe there is a broader brush we can use.  What if we took this poem by Bo Burnham and changed the last line to “Must be music!” And then got them involved in investigating how authors build the characters in their stories into credible beings that the reader cares enough about to want to read to the end of the story to see what happens to them. 

 

Magic - Bo Burnham

Magic – Bo Burnham

In Prokofiev’s  classic Peter and the Wolf, each character – Peter, his grandfather, the bird, the cat, the duck and the wolf, even the soldiers – is assigned an instrument of the orchestra which represents them as the story is told.  For instance, the bird is portrayed by the jaunty music of the piccolo, while the deep, slow notes of the bassoon signal Grandpa.  Using that as a starting point, why not have the students begin to look at characterisation in stories through a musical lens?

Take the poem and having become familiar with the sounds of the various instruments, what would they suggest as being the best to portray the shouting, the screaming, the whispering, or even the crotchety old man? How does the pitch, the tone, the speed and the volume of each instrument contribute to painting that visual picture through sound?

Share Roald Dahl’s description of The BFG walking down Sophie’s street, doing something suspicious at each window, or another piece of description about a familiar character. What sort of music would suit the action and what instrument would make it?

When they are reading about their favourite character what music do they hear in their head? If the story is about a giant or a dragon or a fairy, or a group of children sneaking through the bush, what instrument and type of music do they associate with each? Which characters that they already know would be best suited being represented by the violin, for example, and what would the music sound like?  Fast, slow, soft, loud? Have them think about not just the size of the character and its other physical attributes, but the way it moves, even what its position and motive in the story are.  Is it friendly or sinister? All can contribute to the choices. 

Have them think about themselves and their own personalities and consider which instrument would best represent them>  Is their one that fits all their moods or would it change with circumstance? Would there be a different choice for early in the morning and leaving a warm bed to go to school to that of the afternoon when it is play time or even later, tired and getting ready for bed?  Even if the instrument remains the same, how does the music it makes change?

Conversely, play a piece of music such as “In the Hall of the Mountain King” from the music accompanying Peer Gynt by Edvard Grieg and have them suggest the sort of characters that they see in their mind’s eye just by listening. Does it suggest fairies and butterflies or something else? Can they draw what they are visualising?

Or maybe share some of the classic ballet suites such as “Swan Lake” or “The Nutcracker“.  How has the composer distinguished between each character to make both an aural and visual picture? How has the choreographer translated this into a kinesthetic picture? 

Then, take their developing knowledge even further and have each student select an instrument and build a character around it, creating a signature tune like those in Peter and the Wolf and then in groups of three or four, have them meld their characters into a cohesive story that can be told in both print and sound.

From this beginning, it is not a giant leap to comparing mood and music to build the story’s atmosphere… which instruments portray dark and gloomy, ominous and imminent, light and fancy-free?  Have them listen to the musical scores of film or television shows to discover how the action and atmosphere is underscored by the piece of music that underpins it.  Set them a task to select or even create the opening music to a favourite story so the reader has an idea of what is coming….

If we want our students to be both critical and creative readers, to engage with the story on a deeper level beyond the printed word or visual image they see, then this sort of approach not only does that but also satisfies a number of the outcomes of the music curriculum in a way that even the most non-musical like me can enjoy and appreciate – and makes such a change from the same-old, same-old that many students expect when it is time for “library”.  

 

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the educate-advocate hat

 

Sadly, there are still many teachers and PTB who view the teacher librarian’s role as the reading expert and the keeper of the books. Despite all the years of advocacy – something no other professional has to do to justify their daily existence – those in high places (including government, education authorities and schools) are yet to learn that there is a reason that to be a teacher librarian entails a post-graduate qualification, involves specialist knowledge and is so much more than their childhood recollections of a place filled with books.

The key issue seems to be a lack of understanding of the role of the modern TL in the support of teaching and learning stemming from the days of the introduction of affordable, reliable internet access and the mistaken belief that “everything can be found on the internet” coupled with the perpetuated myth that the TL’s main role is to do with reading and the circulation of books. As I have said so many times in the past 25+ years as a TL (and 53 as a teacher) TLs are NOT “English teachers on steroids” yet so many continue to present themselves as such. While we have a role in supporting the leisure reading of our students , our primary role is enabling them to navigate, and evaluate information in all its formats, and then interpreting this to form their own viewpoints, inform their choices and create new information. Thus, despite over 30 years of trying to change perceptions, including a Federal Inquiry into our role here in Australia, the fight continues and we must do all that we can, including sharing planning that puts the emphasis on that primary information literacy role to show what it is we can do. IMO, as long as we continue to put reading and books as the primary focus we will always be seen as the “keeper of the books” by those who hole the purse strings and fewer and fewer teachers and students will experience the benefits that a fully0informed, qualified TL can bring to the table.

So now, at the beginning of the school year when we are planning what students will do during their time with us, we have the best opportunity to use our programming skills to show how we can contribute to both the teaching and learning outcomes of the school in a purposeful, meaningful and wide-reaching way. To educate and advocate.

Recently, a NSW colleague Emily G. Williams generously shared her Term 1 program for her year 3-4 students with a wider audience so others could have a starting point for theirs. With Emily’s permission, this is what she offered…

OVERVIEW:  The beginning of the term will be spent refamiliarising ourselves with the library, its contents, expectations and borrowing needs. Students will participate in a QR code scavenger hunt for library orientation.  The rest of the term students will be engaged in picture books from the Premier’s Reading Challenge based on Australian environments (to support their classroom unit Earth’s Environment). Students will write a book review for each and add to their PRC profile.

Outcomes:

EN2-4A uses an increasing range of skills, strategies and knowledge to fluently read, view and comprehend a range of texts on increasingly challenging topics in different media and technologies

ENe2=7B  understand how characters, actions and events in imaginative texts can engage the reader.

Library Outcomes

LK4.3 Metalanguage of the library – call number, shelf label, OPAC, Oliver, Dewey, circulation desk, return tray or slot, reference, etc..

LK4:15 Selects appropriate text based on purpose, interest and ability. Recognises the benefits of selecting from a wide range of texts

LK4:18 Uses LMS (OLIVER) to locate fiction resources by author and places reservations. Use OLIVER to write and record a book review

LL4:1 Completes a short-written review on a chapter book

LL4:23 Explain the contribution of illustrations in developing the sequence of main events and climax of a particular fiction book

Information Fluency Framework
IFF2S.1.1 identify and describe shared  perspectives within and across  various cultural groups
IFF2L.1.1 navigate, read and view a range of  texts for information purposes or  literary exploration.
IFF2L.1.2 interpret literal information / story  and make inferences to expand  knowledge or understanding of the  story
IFF2I.2.2  experiment with a range of options  when putting ideas into action
IFF2C.2.3 transfer and apply information in  one setting to enrich another
IFF2E.2.1 apply ethical decisions when  creating information

But what if we changed this outline to place greater emphasis on the purpose of the program by identifying what we want students to know, do, understand, appreciate and value as a result of the time invested, and the evidence we would accept that they had achieved this? Could we get something that, apart from making our own teaching purpose clearer, would show others that what we teach has meaning, context and validity beyond the library’s walls thus helping them to change their perception of our role?

Perhaps the new plan could look something like this…

OVERVIEW/PURPOSE

As students become more aware of the world around them, they are presented with a variety of viewpoints from which they are increasingly expected to form their own opinions, make informed choices, create new information and take targeted action. Yet the messages students see and hear through an increasingly complex media landscape can be conflicting and confusing.  Therefore, they need to become critical assessors of these so they can identify the author’s objectivity or lack of it and evaluate the information in light of this.  This program is designed to build their awareness of the influence a writer’s perspective has on their writing and enable them to examine texts for purpose and bias.

To complement the classroom study of Earth’s Environment, students will use picture books, particularly those on the Stage 2 PRC list which focus on the Australian environment, so they can

  • understand and appreciate that authors write for a purpose – to persuade, inform, entertain or reflect
  • identify and distinguish between  fiction, fact and opinion
  • examine and explore a text to determine the author’s purpose
  • understand that there can be differing points of view about the same situation
  • understand and appreciate that authors use fiction and narrative non fiction to convey a message, perspective or particular point of view
  • identify the text features and language of persuasion
  • use their existing knowledge of the library’s layout, language and systems to locate and select an appropriate text to study, seeking assistance if required
  • identify what a particular author’s perspective is and how it has influenced their writing
  • identify how the author has used the setting, characters and plot to convey/portray/embed their message
  • identify how the illustrations have been used to consolidate the author’s message through the medium, colour palette, perspective and other devices
  • consider their own perspective and opinion about a particular issue and whether the author has confirmed, challenged or changed their point of view
  • transfer what they have learned by using books focusing on the Australian environment to those featuring a broader scope so they can compare the similarities and differences of a variety of environmental situations and issues
  • understand and use the essential elements of a book review as they write their own to demonstrate their understanding of the concepts of assessing texts for suitability and interpreting them for objectivity, including providing evidence to support their opinion
  • navigate and use the functionality of Oliver to publish their review
  • extend their reading into new areas and add to their personal Premier’s Reading Challenge records

EVIDENCE

Students will select a book with an Australian environmental focus and prepare a book review for publication on Oliver that demonstrates that they understand the author’s purpose and message and explains how this has been achieved.

LEARNING OUTCOMES

As a result of this study students will demonstrate the following outcomes*…

  • pose questions to expand their knowledge about the world (ACC General capabilities –Critical and Creative Thinking L3)
  • identify main ideas and select and clarify information from a range of sources (ACC General capabilities – Critical and Creative Thinking L3)
  • collect, compare and categorise facts and opinions found in a widening range of sources (ACC General capabilities – Critical and Creative Thinking L3)
  • identify and apply appropriate reasoning and thinking strategies for particular outcomes (ACC General capabilities – Critical and Creative Thinking L3)
  • draw on prior knowledge and use evidence when choosing a course of action or drawing a conclusion (ACC General capabilities – Critical and Creative Thinking L3)
  • explain and justify ideas and outcomes (ACC General capabilities – Critical and Creative Thinking )
  • transfer and apply information in one setting to enrich another (ACC General capabilities – Critical and Creative Thinking )
  • discuss the value of diverse perspectives and describe a point of view that is different from their own (ACC General capabilities –Personal and Social Capability)
  • describe different points of view associated with an ethical dilemma and give possible reasons for these differences ACC General capabilities – Ethical Understanding)
  • make connections between the ways different authors may represent similar storylines, ideas and relationships (ACELT1602)
  • discuss literary experiences with others, sharing responses and expressing a point of view (ACELT1603)
  • identify characteristic features used in imaginative, informative and persuasive texts to meet the purpose of the text (ACELY1690)
  • use comprehension strategies to build literal and inferred meaning to expand content knowledge, integrating and linking ideas and analysing and evaluating texts (ACELY 1692)
  • plan, draft and publish imaginative, informative and persuasive texts containing key information and supporting details for a widening range of audiences, demonstrating increasing control over text structures and language features (ACELY1694)
  • re-read and edit for meaning by adding, deleting or moving words or word groups to improve content and structure (ACELY 1695)
  • use a range of software including word processing programs to construct, edit and publish written text, and select, edit and place visual, print and audio elements (ACELY 1697)
  • understand differences between the language of opinion and feeling and the language of factual reporting or recording (ACELA 1689)
  • understand how texts vary in complexity and technicality depending on the approach to the topic, the purpose and the intended audience (ACELA 1490)
  • explore the effect of choices when framing an image, placement of elements in the image, and salience on composition of still and moving images in a range of types of texts (ACELA 1496)

*For the sake of inclusion for the majority of readers of this blog, outcomes have been taken from the Australian Curriculum. They could be supported or supplemented by specific outcomes from state and school-based curricula as required (and demonstrated in the original), thus illustrating how particular skills such as using the OPAC to locate resources support the student’s overall information literacy development, or engaging with the Premier’s Reading Challenge broadens their reading horizons.

By making the big-picture, lifelong learning outcomes the focus of the program – in this case, helping students begin to understand author purpose and detect bias and prejudice in writing, enabling them to be more creators and critical consumers of text in all its forms –  and clearly stating these and their connections to other areas of the curriculum, we demonstrate that what is offered during “library lessons” not only supports the classroom program but shows that those skills usually seen as “bizniz-bilong-library” have both a purpose and a pathway that goes beyond its walls.  Suddenly teachers have the evidence of what we intend to do and why in front of them in professional but accessible language. They can see that what we offer is valid and validated and perhaps even valuable. This could be taken even further by using a summary of the overview as the statement of learning for student reports, showing parents that the library is so much more than borrowing books and whatever their personal recollections are.

If we are to spend our precious time on this sort of paperwork, then it’s worth getting the biggest bang for our buck by educating those who need to know and advocating for a qualified teacher librarian who has essential knowledge and skills beyond that of the regular classroom teacher-that by working together we can offer so much more depth rather than being just that keeper of the books.

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the imagineer’s hat

 

Just over 45 years ago, in 1973, a 21-year-old sat in her first session at Christchurch Teachers’ College in New Zealand, ready to begin to realise her childhood dream of being a teacher. Unlike her peers who were going from the classroom of high school to the classroom of college to their own classrooms in a school, this young woman had a couple of years of life experience under her belt having lived in  Papua New Guinea and Australia, both exotic locations in the still-isolated New Zealand of the early 1970s.

But like them, she had her imagineer’s hat on, constantly thinking about how what she was learning would translate into practice in her classroom. She wanted her students to come in each day full of wonder and curiosity, happy to be there and eager to explore and discover the new pathways into their world that would open up to them that day. She quickly discovered that “language arts” was her thing, that inquiry learning based on the Nuffield model fitted her like a glove and that maths continued to be the mystery it was in high school. But being a teacher in the primary system of both New Zealand and Australia means having to master all areas of the curriculum so she immersed herself in her studies, keeping a journal of how she imagined she would integrate the theory of both child development and subject mastery with the dream of that wonder-filled classroom a few years hence.

Fast forward two decades and that 21-year-old, who had a 21-year-old of her own by then, is back at college ready to study again, albeit with 20 years experience and reality under her belt, a vastly different study situation where everything is done online including lecturer and peer interaction, but still with that imagineer’s hat firmly on.

What is it she wants her students to feel, appreciate, value, learn and understand as a result of visiting the school library?

What does she need to do and put in place to make that happen?

How will the environment, services and attitude she offers enable the students and the staff to feel that the library offers them something, caters to their needs and is a place they want to be?

What would she, as a student, want to see, find and do in this space to feel that she was welcome, my needs were satisfied and it was a place she wanted to spend time in?

Everyone from retailers, restaurateurs and resort owners tell us it is not about the product but “the experience”, so how can the teacher librarian provide an “experience” that enriches and enhances the visitor’s learning?

Luckily for that apprentice TL of the mid-90s, she was in a brand new school with a brand new library and a visionary principal who could see the impact technology would have and who gave her carte blanche to develop the best resource centre ever.  

But as the Australian school year comes to an end, the northern hemisphere one gets under way and a new bunch of apprentice teacher librarians about to graduate and move into their own libraries, starting from scratch is not an option for all.  Nevertheless, it is possible to possible to put that imagineer’s hat on and imagine or re-create that big picture even if we have been bogged down in the daily detail that the endless paperwork burden dictates. 

Here are a few steps to follow…

  1. As the name implies, the imagineer’s hat requires imagination so shut your eyes and dream about the library you would love to  be and work in. Think about the environment, the atmosphere, the collection – content and arrangement, the services, the timetable – every aspect of the perfect library that you can think of.
  2. Make notes about your vision and identify those things you have, those things you can improve and those things you can strive towards. Prioritise them.
  3. Create or revisit your vision statement. Make sure it still encapsulates what it is you want your library to be. Remember its purpose is to succinctly state the future direction of your school library such as A best-practice 21st century library which is integral to the teaching and learning at xxxx Primary School and offers a warm, inclusive, supportive environment for all.
  4. Create or revisit your mission statement to ensure that it still reflects the purpose of the library and its place within the school’s philosophy, ethos and educational programs. It needs to inform the development of strategies for improvement and the goals and objectives so its achievement can be measured.  There have been many changes and advances in the last few years so something you wrote a few years ago may have been accomplished or need tweaking to reflect the current and proposed situation.
  5. Identify those areas that you want to change – environment, procedures, professional knowledge, professional practice – and be explicit about how you want to change them.  Begin with the end in mind and determine what you want things to be like and look like so you can work towards specific S.M.A.R.T. goals.
  6. Identify the particular pathways you need to follow to achieve your vision.  For example, if you want to change the look of your library, check out photos on Pinterest or read The Landscaper’s Hat and Landscape Your Library; if you want to expand your professional knowledge map out your professional learning program; if you want to change procedures then research best practice and get input from stakeholders  – whatever it takes to make the change you want to be and see.
  7. Revisit or revise your strategic plan so that your ideas are formalised and accountable so the library of your imagination can become a reality
  8. Be on the alert for great ideas and activities that others are employing and sharing and which might work for your clientele, save them so you don’t forget and implement them as soon as practical, always working towards that dream.

Schools and school libraries have changed so much since that 21-year-old first sat in that Teachers’ College classroom all those years ago but in fundamental ways the students she teaches have remained the same – they still have to attend school from 5-15 and they still aspire and expect to learn to read, write and calculate. And they still deserve to achieve that in the very best of conditions that she can provide by constantly wearing and adjusting the imagineer’s hat.

 

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the long tail hat

Recently there was a request to a network I belong to seeking advice about placing a popular series of books on the shelves, a series that was one of several of its type which started as a successful movie franchise and forty years on remains as popular now as it was when it was first released.  In fact many who enjoyed it as children are now sharing it with their own children. But there was a strong between-the-lines implication that because it was a movie tie-in it didn’t have literary merit and therefore didn’t have a place on the school library’s shelves.

In some respects, this was a view I held years ago when I first started reviewing books for the very young on my blog The Bottom Shelf. I was inundated with books relating to television characters and was reluctant to review them because I couldn’t relate to the characters and I didn’t want to encourage anymore screen-time than children already had.  But then one day in a chain store I saw a little one pounce on a book featuring a well-know show here and the delight she demonstrated and the nagging and pestering she did to own it, with no regard for the other toys on display, changed my mind entirely.  If a familiar character was going to be the “in” to reading for a three year old, then I would review them and let parents know about them. 

In hindsight, I don’t know why I objected so strongly because I certainly had a dedicated space in my school library for “Family Favourites” based on the familiar characters of preschool programs in the belief that seeing them would help with the transition from preschool to ‘big’ school, and my collection and display of the Goosebumps series was definitely the instigator of reading in so many young boys of the time.

Family Favourites

Family Favourites

The Long Tail is used in many fields to describe a statistical phenomenon that is best described with this diagram…

A pictorial example of the "long tail" concept.

A pictorial example of the “long tail” concept.

 

In libraries, the term refers to all those potential patrons that a library has but who don’t use the facility because they don’t believe it has anything to offer them.  Whether they are non-readers or reluctant readers or accomplished readers who prefer a certain subject, they perceive that the library is not somewhere that would cater for their needs and no amount of advertising the general collection (in whatever format) persuades them.  They might even be those who remember an unfriendly librarian, environment or experience from childhood and at that early stage decided there were better places to be.

The term Library 2.0 is also one that has been bandied about over the last decade and it refers to the changing model of the library to one that is user-centred rather than librarian-driven.  It encourages patrons to have a say in what they want and need in regards to both the collection and the services so that what is offered is relevant to those who are using them. 

But, regardless of the efforts made to change what is offered and how we offer it, there will still be the long tail who have the belief or attitude that they and libraries are not compatible.

No matter how hard we try, many of the services we offer are not being used by a majority of our population. It’s never been easy to reach this group with physical services, because libraries are constrained by space and money and cannot carry every item that every user desires. 

Casey, M.E. & Savistinuk, L.C., Library 2.0

I believe that we have a responsibility to reach out to these people, investigate what it is they are interested in  and seek to provide it if possible.  This is much easier in the school setting than the public library because the audience is somewhat “captive and contained” and we, as the person responsible for developing the collection and the services, should be pro-active in discovering needs and interests.  Don’t wait for them to come with requests – they won’t do that if they’ve developed an anti-library attitude.  This is particularly important if we are to satisfy the Students’ Bill of Rights  that underpins our professional practice.

The Australian School Library Association’s School Library Bill of Rights  lays down the basic tenets for collection development including 

 To place principle above personal opinion and reason above prejudice in the selection of materials of the highest quality in order to assure a comprehensive collection appropriate to the users of the library.

 

So even if we would prefer all our offerings to have “literary merit” or being relevant to the curriculum or whatever other restraints we impose on it, we need to consider those whose library experiences needs to be a little less highbrow and a lot more enjoyable. 

As the Australian school year draws to a close and plans are being made for 2018, perhaps it is timely to consider how the long tail might be at the forefront of the strategic development plan including how their needs can be determined.  It is not enough to place a suggestions box on the circulation desk or conduct a survey of current library users because that will only lead to offering what we always have, doing what we’ve always done and marginalising those potential users even further.  It means thinking of who our target clientele might be, even if that’s a small, specific group to start with and then talking directly to them to discover how they believe the library could be more relevant to them.  It means looking at new ways of promoting new services and resources well beyond the library walls and demonstrating that we are listening and then acting on what we hear.

With advocacy for maintaining and expanding library services still being such a critical part of our role, explicitly focusing on the long tail and deliberately addressing their needs rather than hoping some sort of osmosis will bring them through the doors may be the key to giving your facility a new lease of life and a promising future.

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the scope-and-sequence hat

 

 

 

 

 

Not so long ago, certainly in my teaching lifetime, there used to be a “curriculum” commonly known as “library skills”.

The classroom teacher (occasionally a teacher librarian) would take their class to the library and teach them things like the layout of the library, the difference between fiction and non fiction, alphabetical order and Dewey classifications, the various types of reference books and how to use them, and other  similar skills so that the students could be ‘independent’ users of the facility, able to do their own ‘research’ and perhaps cite the source from which they had copied their information. Workbooks and worksheets abounded and the evidence of learning was based on their successful completion.

 

Then in the mid-90s as the phenomenon known as the Internet started to gain traction and access to it became more reliable, affordable and widespread, the walls of the traditional brick-and-mortar library began to break and patrons were able to source a wider range of information from a greater variety of sources beyond those immediately available on the library’s shelves.  With this came a realisation that there needed to be a scaffold to support learners in their selection, evaluation and interpretation of all that was now accessible to them and so models of developing information literacy were created and we became familiar with such devices as

and a host of others including my own expanded version of the NSW model.

The core of the NSW Information Search Process model

The core of the NSW Information Search Process model

Regardless of the model chosen or mandated, each one followed a similar pattern of skill development…

  1. A problem to be solved or a question to be answered generated a need for information.
  2. Locating the resources that would satisfy that information need
  3. Choosing the most appropriate information through analysis of its relation to the information need
  4. Sorting and organising the information from a variety of sources so it can be used effectively
  5. Using the information either personally or sharing it with others
  6. Considering the where-to-from-here either as a result of the new learning or as an information seeker

Whichever model was used, the development of information literacy became the specialist subject of the teacher librarian and was viewed as the focus of teaching in the library.

However, with the explosion of information as the development of Web 2.0 enabled Internet users to become creators and curators of information rather than just consumers, and the emergence of a plethora of devices which enabled anywhere, anytime access to what was online it became clear that the traditional once-a-week lesson would not be enough to ensure that students were information literate.

Information literacy is a set of abilities requiring individuals to recognize when information is needed and have the ability to locate, evaluate, and use effectively the needed information

ALA Presidential Committee on Information Literacy, 1989

Going right back to Piaget’s notion of assimilation and accommodation of new experiences being at the core of learning and with the burgeoning understanding of how humans learn based on work by those such as Marion Diamond, Bob Sylwester, Eric Jensen  and Geoffrey and Renate Caine , it was clear that developing the concepts and skills necessary to undertake research and investigations was clearly something that needed to be embedded across the curriculum and taught by all teachers within the context of their discipline.  The one-off, isolated lesson was not going to result in the sort of internalisation of skills and understanding that could readily be transferred to new situations. So what had been a set of discrete skills with the tag “library skills” and taught by the teacher librarian, often in isolation from anything happening in the students’ classroom, became the responsibility of all with the release of the Australian Curriculum documents and the Common Core Standards in the USA.

While this makes sound developmental, educational and pedagogical sense, many teacher librarians found it to be a very threatening situation – with no set curriculum, what would be their role in this emerging Information Age; how could they to remain relevant when “everything is on the Internet” and a growing, if fallacious perception that the more a school “went digital” the more modern and efficient it would appear to be.  Having a set curriculum like other faculties appeared to be the anchor on which many relied to demonstrate their contribution to the teaching and learning of the school, their raison d’être, even holding onto their job.

Yay or Nay

In a recent informal survey of TLs across a number of international forums, all but a few of the respondents said that they would prefer a scope and sequence chart directly related to their teaching in the library. The most common reason for having such a document was that it would guide their teaching “so nothing is missed” but other reasons included

  • ensuring instruction is systematic and cohesive across grades, departments and buildings
  • ensuring instruction is uniform across grades, departments and buildings
  • ensuring assessment is uniform across grades, departments and buildings
  • ensuring that students emerged from a grade/year level with a common body of skills so standards are maintained and that there is a defined starting point for the next academic year
  • providing a big-picture overview of the curriculum and what was required
  • providing “ticker boxes” for skills and outcomes, particularly those in the English curriculum
  • providing a framework for planning and a scaffold for teaching
  • providing a guideline for skills development across and through grades and year levels particularly for new TLs as well as those more experienced
  • providing a common language between the TL and the classroom-based teachers
  • providing cohesion for students particularly those who move schools frequently
  • providing an advocacy tool to demonstrate that there is a set curriculum and therefore there is a legitimate role for the TL within the school
  • assisting the development of rubrics for assessment
  • demonstrating to classroom-based teachers that TLs have skills to offer them to assist their teaching and give credibility to the TL’s suggestions
  • demonstrating to classroom-based teachers, executive and principals that the role of the TL has changed
  • demonstrating to parents that the TL has something to offer their students beyond the “right book”
  • providing a document for successors so there is consistency across time
  • providing a visual guide to what should be taught when
  • helping to satisfy the need for documentation of lesson planning and data collection from assessment strategies imposed by school and district administrations
  • holding students accountable for demonstrating previous learning when submitting assignments across all curriculum areas
  • identifying areas of professional learning that need attention
  • comparing what other schools and districts are doing
  • providing documentation for personal and school accreditation
  • supporting the TL’s teaching role by demonstrating it is based on a common document not a personal agenda

Those who did not view a scope and sequence chart as an essential document were primarily concerned with it

  • isolating, or at best, marginalising, the TL’s knowledge and skills to discrete lessons that do not reflect or relate to what is happening in the classroom
  • promoting a belief by both staff and students that information literacy is “bizniz bilong library” taught only by the ‘expert’ TL  rather than something that should be an across-curriculum perspective that can be taught by all
  • sidelining the TL from the teaching roles in the schools, putting them back into the role of the resource provider
  • becoming a tick-a-box document that is inflexible and which has little relevance to student needs, interests and abilities
  • suggesting that the development of concepts and skills and the use of scaffolds is linear rather than recursive
  • becoming more important than the students’ learning so differentiation becomes minimal
  • limiting the integration of information literacy into the curriculum as a whole so students do not build their own scaffolds for learning something new
  • limiting the opportunities for students to grow their own understanding at their own rate because of a lock-step approach that might not allow Kindergarten students to use a digital camera, for example
  • suggesting that information literacy is a skills-based continuum that can be measured and reported on rather than a spiral curriculum that leads to a greater ability to assess, interpret and use information as an adult
  • becoming prescriptive, restrictive and conclusive rather than needs-based, responsive and flexible
  • becoming a set-in-concrete document that is a blueprint for a significant period
  • promoting a one-size-fits-all approach with all schools and all students having the same profile and needs
  • promoting the perception that information literacy is a discrete set of skills that can be taught and learned in isolation
  • limiting the conversations and collaboration between TL and classroom-based teachers as the latter consider the TL has a syllabus to teach and should just get on with it
  • preventing the opportunities for serendipitous learning or going off on student-directed tangents because of the need to “follow the curriculum”

The scope

Before the issue of yay or nay can be decided, it is necessary to consider what such a document might contain.  The fundamental element of a scope and sequence document is its scope and fundamental to that is its focus.  Being a fan of Stephen Covey’s habit of “Begin with  the end in mind” and Simon Sinek‘s “Start with why”, identifying the purpose of the document is essential in order to not only determine its focus but also to make sure that all that is done (and the workload is substantial) is aligned to the vision so it is on target, relevant and meaningful. So what would be the purpose of the document – a flexible guide for planning teaching or a tick-a-box assessment of learning? Being a fan of Stephen Covey’s habit of “Begin with  the end in mind” and Simon Sinek‘s “Start with why”, identifying the purpose of the document is essential  What would be its key focus? What should be the overarching driving force?

  • Information Literacy?
  • Critical Thinking?
  • Creative Thinking?
  • Digital technologies proficiency?
  • Digital Citizenship?
  • Media Literacy?
  • Inquiry skills?
  • Inquiry pedagogy?
  • Visual Literacy?
  • Cyber safety and security?
  • Cultural and social understanding?
  • Knowledge Building?

In a presentation to local teacher librarians in February 2017, Dr Mandy Lupton demonstrated that all of these, and many more, were elements of a wide range of models that could be associated with information literacy and be considered the realm of the TL.

Using Article 19 of the Universal Declaration of Human Rights that states

Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers

UNESCO has been developing a Media and Information Literacy program to provide “access to an international, multimedia and multi-language media and information literacy (MIL) teaching resources tool for educators, researchers and individuals….[to facilitate] intercultural/interreligious dialogue and mutual understanding through MIL.”

Media and Information Literacy recognizes the primary role of information and media in our everyday lives. It lies at the core of freedom of expression and information – since it empowers citizens to understand the functions of media and other information providers, to critically evaluate their content, and to make informed decisions as users and producer of information and media content.

This covers the elements in this diagram.

 
UNESCO Media & Information Literacy

UNESCO Media & Information Literacy

One has to wonder if it would be useful, let alone feasible to produce a document that covered all these elements let alone any other add-ons such as the General Capabilities of the current Australian Curriculum.

Having decided on a definition and the parameters, there are still questions to ask and decisions to be made.

  • Will the document be one that describes outcomes, skills or standards?
  • Given that some aspects of information literacy are the same for Kindergarten as they are for year 12, just at a different degree of sophistication, will the document be driven by big-picture ideas for lifelong learning such as “Students will learn to use ideas, information and images ethically” or will it be more piecemeal such as “Students will learn to cite sources using title and author”? 
  • Will it be enough to troll the key curriculum document looking for appropriate outcomes and indicators or should other ancillary documents such as the ISTE Standards be incorporated?
  • How will the “21st century skills” be incorporated and addressed?

  • How will differing needs and circumstances be addressed such as access to reliable, robust and affordable Internet access?
  • In her analysis of the current Australian curriculum, Mandy Lupton found that even within what is supposed to be a national document, those writing each subject strand did not use the same language for the same concept so how will this be addressed so there is common language and understanding?

The sequence

Perhaps is would seem easier to identify the sequence of skills to be learned. But again, there are many aspects that need to be considered…

  • In Inquiry Skills in the Australian Curriculum Lupton found that there was not consistency across the subject strands as to when a particular concept was introduced.  What might come in Year 3 in one area did not appear till Year 9 in another.  There seemed to have been few or no common conversations about what should come when and at what level of sophistication.
  • In the case of the Australian Curriculum, it is always changing (Lupton’s matrix of 2012 is now out of date) and states have adapted it or overlaid their own requirements on top so it becomes more ‘personalised’. Thus the purpose of establishing a common body of knowledge is blemished.
  • While all schools are expected to follow the Australian Curriculum, different approaches to addressing it are taken, including the International Baccalaureate  so delivery and expectations are shaped by these.
  • Many schools see the library and the teacher librarian as part of the English faculty yet, in the Australian Curriculum, there are few English strand outcomes that directly focus on the development of information literacy
  • The role of the TL within the school is unique to that school – some provide cover for teacher preparation and planning; others co-operate with teachers to run a parallel program; some collaborate in both planning and teaching; some are directed by teachers or executive to provide specific instruction of discrete units of work; some are so micro-managed that they can only read aloud to students for fun every second week; some are autonomous in their programming; some see students daily, some once a week, some for a term or semester a year, some only when the teacher or student comes to the library with a specific purpose – so adherence to and completion of a set document would be problematic
  • The development of information literacy and inquiry skills are not linear – it is a recursive practice as information seekers go back and forth according to purpose and need – yet a traditional matrix would not reflect this. While an experienced TL might be able to factor this in, it might be confusing for a new TL or a principal expecting to see boxes ticked as taught.
  • Learning is a spiral that is unique to the individual learner so how would the concepts of “introduction, consolidation, mastery” (or similar terms) be addressed and depicted?
  • Mastery of a concept is demonstrated when its associated skills are transferred to new, unrelated situations and the learner can explain what they have done and teach others but this might not ever be apparent if the TL is working in isolation and it may not ever occur within the students’ time in formal education. There is not necessarily an endpoint to becoming information literate.
  • While the original intention may be different, many scope-and-sequence documents become a tick-a-box checklist particularly in the current climate of testing, testing, testing and data collection so what happens to those for whom learning is not easy or very easy and who have the right to have their needs met?
  • In a time of differentiation, does imposing a lock-step curriculum take us back to the outdated, fallacious notion that one size fits all?

Maybe UNESCO has provided the beginning of the answer.  They  have attempted to bring together the fields of information literacy and media literacy into a combined set of knowledge, skills and attitudes required for living and working in the 21st century by identifying the Five Laws of Information and Media Literacy.   

Returning to the big-picture view perspectives of Covey and Sinek, even McTighe and Williams’ Understanding by Design which place the end result at the beginning, these laws could be a sound foundation for any scope-and-sequence document.  If we believe Law 5 which begins “Media and information literacy is not acquired at once. It is a lived and dynamic experience and process” then it may be possible to take the other four laws and ask what each might look like at each year level; what knowledge, understandings, skills, attitudes and values are appropriate for this law at this level for these students so that any document that is produced has a common direction and cohesion using the curriculum outcomes you are obliged to address while acknowledging that there is no one-size-fits-all as the tick-a-box testers would like. 

Creating a scope-and-sequence document is easier to say than do.  There are many arguments, both conceptual and practical, for and against its creation and its use.  Conversations with colleagues and social media messages suggest that there is a desire for such a document to provide direction and clarification but I suspect that this post has created more questions than answers!

 

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the reader support hat

 

 

Ask any teacher librarian what their core business is and somewhere in a relatively short list will be a phrase relating to enabling and supporting students to be effective, efficient, independent readers.  Whether that be preschool, primary, secondary or tertiary and referring to reading for pleasure or reading for research, the development of reading is at the heart of what we believe and at the heart of what is expected by our communities.

If there were a magic bullet to enable everyone to achieve the goal, then it would have been discovered by now and the continual arguments about phonics versus whole language would be silent; politicians would be basking in the glory of having a 100% literate community and publishers would be providing resources that meet the criteria. The teacher librarian’s role would be easy – just provide the resources to meet the students’ interests.  Needs or abilities would not be a concern.

But the simple truth is that, like everything, there is no one way.  We are individuals and the way our brains are wired and the way we learn to read are as individual as our DNA and our fingerprints.  So why then, does learning to read and then developing and honing the skill have to be such a competition?  While the “finishing line” is reasonably clear, why do we demand that all cross the line at the same time?  Instead of paving the way for a smooth and safe journey, why do we pepper it with obstacles to climb over or manoeuvre around?

As the new school years looms in Australia and New Zealand – back-to-school advertising starts the day after Christmas – and mid-year assessments and reports are gearing up in northern hemisphere schools, there seems to be a rise in the need to be able to show that students have improved (or will improve) as the result of programs and practices and that the only way to demonstrate this is through quantitative data and comparison with other students. 

Thus schools, teachers and ultimately TLs are looking for ways to measure this improvement whether it be through schemes that require students to have gained a certain number of points by responding to their reading; demonstrating that they have read a certain number of books or for a certain number of minutes; or moved through certain, arbitrary levels of achievement as though reading is a road with clearly defined bus stops on the way; or some other method that brings in an element of competition with other students.  (And don’t be fooled – kindergarten kids know about good, better, best.)

The educational buzzword of the moment is “accountability” and my recent experience back in a primary school showed that teachers are spending more time teaching to a test so they can collect data than they do celebrating the joy of learning – the cry of “there’s no fun anymore” was common amongst experienced teachers like myself; less-experienced teachers were bemoaning that the job they did and they job they believed they should be doing were poles apart; and students were learning that school was all about jumping through hoops and being tested to prove you could jump as high as the next person.  That it was all a huge competition that you had to win to succeed and if you didn’t you may as well tattoo ‘failure’ on your forehead.

Don’t get me wrong – I do believe that we need to monitor students’ progress but in a way that enables us to support their individual development by providing support or extension where it is appropriate.  In regards to reading, back in the 70s when I began my initial teacher education in New Zealand, Dr Marie Clay was examining the reading behaviours of the very young and amongst a lot of other ground-breaking stuff, introduced the concept of running records which meant the teacher noted the child’s strategies as they read aloud and was able to make decisions about what support the child needed to become more independent. a running record enable the teacher to see what strategies the child had already internalised so these were not taught over and over unnecessarily, with the instructional focus falling on those strategies that needed refining.  It was about improving teaching not measuring learning.

In her book, Reading in the Wild Donalyn Miller found that by Year 6 the majority of students viewed reading as a means to an academic end, not a source of pleasure in and of itself.  Given that the five-year-old goes to school with the firm belief that they will be reading by the end of the first day what is it that we, as their educators do, that changes them in six or seven short years? What have we done to kill the joy of the printed word and the things it can teach us and the places it can take us?

So what role does the teacher librarian have in ensuring that that core business of assisting students to be independent readers, able to access, understand, interpret and manipulate text? Recent conversations on and in professional forums suggest that there are two camps when it comes to wearing the reader support hat,

The first camp comprises those who believe that their role is to be guided by teaching staff who see the library’s role as purely an adjunct to their teaching programs and support mandates that students should only borrow books that are at their reading level; that they should be able to read everything they borrow; that books must be of a certain type, format or length; that they should support a particular topic or focus within the classroom. They believe that students should choose from a pre-selected range, particularly restricting younger ones to picture books or those with plenty of photos, regardless of whether the child might share their choice with a parent or sibling and often agree to label or shelve the books, supposedly to make choice easier but in effect proclaiming the child’s ability or lack of it to peers. This is despite the mounting evidence that reading levels are inaccurate, vary according to the measure used for the exact piece of text, and the means for establishing a child’s reading level are also problematic.

Three Myths about Reading Levels ..and why you shouldn’t fall for them

Reading is an interactive process, so the difficulty or ease with which a particular reader can read a particular text depends in part on his or her prior knowledge related to the text and motivation for reading it.  

In other words, a student’s reading choices are not independent, free, interest-driven and satisfying the need of the moment.

The second camp comprises those who believe in free voluntary choice so that students can be in control of their own reading journey and be empowered by and positive about having that control. They can shape their own reading journey; learn what they like and dislike; learn how to discard what doesn’t appeal for whatever reason; acknowledge that they will find some books easy and others more difficult (as happens in real life depending on our experience with the topic); explore a whole variety of worlds, characters, situations and opinions so their horizons are broadened in ways that only reading can do; challenge themselves to take new paths and detours; be challenged and perhaps changed by what they encounter and thus become better informed; become independent, critical, discriminating readers reflecting the real-world experience rather than some artificial domain. They can choose to extend themselves to read more challenging materials about unfamiliar topics or they can seek comfort in something that offers them support in a time of need. They can walk out with the thickest book in the library because that bolsters their self-esteem and image amongst their peers and regardless of whether it can or will be read, keeps a positive message about the joy and wonder of reading flowing.

Perhaps it is time to re-visit our core beliefs about what teaching and learning are and how those beliefs feed our programs and practices and how our programs and practices reflect those beliefs, while also examining our vision statement and what we believe a best-practice, top-shelf library looks like.  As well as being the reader leader  we must also be the reader support.

Are we in a school where there has very much a one-size-fits-all  philosophy where students read class novels as a whole and move forward in a lock-step fashion?

Are we in a school where students are expected to read only within their “level” and where our collections are shelved according to those levels?

Are we in a school where reading is measured in the number of books read, minutes spent reading or points gained and rewards are offered on the basis of that?

Are we in a school where reading is seen as an academic competition where only the best will ever succeed because success is only measured by an academic score?

Are we in a school where the TL’s role is seen as the reading instructor rather than the reading facilitator, the “sage on the stage” instead of the “guide on the side”, to quote Jamie McKenzie

If we are, what are we as TLs who supposedly have the big picture in the frame, doing to change the environment so that the running track becomes more level and every child has the chance to cross the finish line at their own pace?

Have we reflected on our professional beliefs and practices and articulated what we believe the school library’s role in supporting literacy to be?

Are we in a school that values individual difference and the importance of literacy?

Have we read Donalyn Miller’s books, or Readicide by Kelly Gallagher or the writing of Stephen Krashen so that our personal professional learning and understanding is up to date?

Are we aware of the research about the value of independent reading and the school’s role in this such as the Kids & Family Reading Report AND are we sharing this with our colleagues, executive and parents?

Are we encouraging students to set their own personal goals relating to reading so their journey becomes their own, one which they are in charge of and for which they can make their own decisions? Are we rewarding them in a way they feel is appropriate when they achieve their goal?

Are we supporting them through open-ended challenges such as Dr Booklove’s Reading Challenges, Joy Millam’s Challenge or that from Naomi Bates?

If students are required to respond formally to some of the titles they have read, are we offering a variety of ways that they can do this?

Do our circulation policies and practices support children’s choosing and choices as well as frequent, regular access to a wide range of resources?

Are we sensitive to and supportive of the needs of our clients, including those in different family structures, those for whom English is not their first language, those who are exploring their gender orientation, those who have learning difficulties generally and so on?

Are we sharing information about learning to read with the parent community as well as suggestions for the sorts of books they could investigate for their children?

If, through that reflection we find there is a mis-match between our personal beliefs and our professional environment then we need to ask ourselves hard questions about our choices of staying, challenging and changing or finding ourselves a position more in tune with those beliefs.

But in the meantime, with the current climate of testing and assessment and accountability and so on, which is only likely to increase sadly because of the associated high-stakes outcomes like funding, I don’t know how we can get the powers-that-be to rethink what they are doing and what they require of us, if we are required to do a formal assessment on what we cover in the library on the literature side of things, perhaps this may be a strategy that can be adopted and adapted as necessary.  

I believe that if we are to encourage students to be lifelong readers, we have a responsibility to engage the kids in the love of story, the magic of words, the rhythms of the language and so on that we can and be as inventive as possible in our assessment tasks so they are hands-on, developmentally appropriate demonstrations of what students have learned.  Not just endless worksheets and book reviews.

One way of managing the data collection is to identify the outcomes you need to address and choose a range of stories that will enable you to do this.  Share these stories over a number of sessions but instead of trying to assess every student on every story, just target a few for each session.

Have in mind those students and monitor their participation in the discussions and if they are not participating (perhaps they are swamped by those more vocal) then ask them a question directly that will help you mentally assess their capability.  If possible, make notes about the target students at the end of the session so you don’t forget what you learned. 

If you have a collection of stories then you can introduce the concepts you are focusing on cumulatively with each one by saying something like, “Remember when we read… we thought about how being in a thunderstorm made us feel.  Well, our story today is set in the dead of night so I want you to think about how that might make you feel. And how it might change the way the characters in the story think and feel and act.”  If you start your assessments with the kids you know will pick the concepts up quickly, this cumulative, spiral reinforcement will give those not-so-confident students time to build up their own mindset so when they become your target group for the session they have been set for success.  And in the meantime you’ve helped them all engage more with the story, increased their understanding of the sorts of techniques authors and illustrators use and kept them engage with story and reading as a whole.

Use your curriculum and talk with the teachers to identify those things that you will focus on during your time with the students so they are then free to focus on other elements. This not only creates a partnership between you but explicitly demonstrates how you can assist them in lessening their workload. It is unlikely that the PTB will pull back from what the curriculum currently demands – it’s as though those who write the curricula are in competition with each other to see who can get their students doing things faster, regardless of any developmental considerations or long-term interest in keeping them reading –  because that will be seen as dumbing down the curriculum and they won’t wear that.

There are so many ways we as teacher librarians can support our students’ reading so that it becomes a choice rather than a competition and we need to be their loudest voice so that each of them has the right to be a winner in whatever way that looks for them.

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the school-home reading hat

hat_school-home

 

 

 

 

In the southern hemisphere long summer holidays are on the horizon while in the northern hemisphere winter is closing in and long nights spent indoors are looming.  Both offer great opportunities for encouraging our students to read, read, read. 

quote1

The single most important predictor of academic success is the amount of time  students spent reading, and this is a more accurate indicator than economic or social status. Time spent reading was highly correlated to success in math and science.  The keys to success lie in teaching students how to read and then have them read as much as they can.quote2

Program for International Student Assessment, 2003

So how can we as educators encourage parents to encourage their children to delve into the world of words, journey through their imaginations and explore what is offered in the pages of a book?

Ask a parent what they want their child to achieve from their school experience and overwhelmingly they will say that they want them to be confident, competent, independent readers. How can we harness parent power to be our partners in this process?

What can we do together to show our youngsters that reading for pleasure is valuable, valid and valued?

How can we work together to help them build and maintain a healthy reading habit to take with them into adulthood?

How can we work together to  support their growth as readers of a variety of topics and formats for a variety of purposes?

Let me state from the start that I am totally opposed to the concept of mandatory reading programs where students must read a particular book, a certain number of books, or any sort of requirement that they are obligated to complete, must report on, be assessed on or in any way be held accountable for having read during their own time. One of the saddest things is that in her book Reading in the Wild Donalyn Miller reports that by Year 6 most students perceive reading to be about being a means to an academic end – a school-based activity, pleasing a teacher, completing an assignment, getting a better grade, scoring points or a positive comment, something imposed rather than chosen.  What are the messages we are giving our students about reading if this is their opinion after just a handful of years of being able to read for themselves?  Where have the magic and mystery gone?

While parents want their children to be successful readers, they often do not know how to support this at home and so it is our job as professionals for whom reading is part of our mandate to support them in whatever way we can. Although our primary role is not one of reading instructor -we must become the guide on the side not the sage on the stage – nevertheless it is to the library that parents and teachers look for leadership. We must become the pivot on which the home/school reading relationship balances.

guide

Communication between the library and home is the most critical factor in supporting our students’ reading at home. Establish a library newsletter (print or online); a dedicated Facebook (or similar page);  a tweet, a blogpost, emails – whatever medium that your parent community uses frequently for school-home communication – and make its maintenance a dedicated regular part of your professional practice.

There is an abundance of research available about the importance of both reading aloud to children and demonstrating that reading is a valid, valued and valuable activity.  It is our job to disseminate this sort of research to parents, to provide the evidence that time spent reading for pleasure is a valuable investment rather than a waste of time but it should not be done as a series of links to papers written for academics because even we, as the target audience for such writing, don’t read them.  As part of our professional learning, maybe even an identified goal for professional appraisal, we need to locate, read, interpret and share what we learn in a way that is accessible to parents.  Consider creating an infographic that contains succinct information, has visual appeal and links to the original research where appropriate so those so inclined can read further. This one from the Australian Kids & Family Reading Report demonstrating the predictors of successful readers is a powerful example.

frequent_readers

Suggest titles about the importance of reading to and with their children that parents can read for themselves such as 

Reading Magic: how your child can learn to read before school—and other read-aloud miracles, Mem Fox (Pan Macmillan)

The Reading Bug—and how you can help your child to catch it Paul Jennings (Penguin)

Rocket your Child into Reading Jackie French (Angus & Robertson)

The ageless rewards of reading aloud– Margaret Robson Kett

The Read-Aloud Handbook by Jim Trelease (Penguin)

Provide links to where they can be purchased so parents can acquire them while they are thinking about them.

Direct parents of younger students to pages like Reading with Your Child (which has a Creative Commons licence which allows you to adapt it to a format which suits your needs)  and The Art of Reading Aloud, both of which have practical tips for sharing stories with their children at home.

If your students are slightly older and parents are asking why they should continue to read aloud even when the child is an independent reader, share this blog post  which explains why this teacher is reading 180 picture books to her Yr 7s and 8s over the school year and the impact it is already having after just three weeks, and The Reading Promise  which is the story of the bond formed between a father and daughter through reading aloud.  

Or this talk which demonstrates the magic of read aloud and reminds us all why reading aloud is so essential- at school and at home. It is for parents and teachers who want to teach comprehension and connect with kids in powerful ways.

Imagine the power of the advocacy for the library and the status of the profession that will ensue if parents regularly receive such important and valuable information.

With the gift-giving season almost upon us and 30% of all Australian book sales being children’s books; UK sales up 7%  and similar growth in the USA, parents and grandparents will also appreciate knowing about what’s suitable for their offspring for their Santa Sacks.  By being abreast of new releases, what’s trending in your library at the moment, books that are about to be released as movies, and current popular genres, as teacher librarians we can keep them informed of how they might choose wisely and spend their money well.  A regular segment in your communications highlighting titles likely to be of interest will be well-received especially if you include a synopsis (often available from the publisher’s webpage about the book) and a guide age range.  A link to a review or even to trusted blogs where children’s books are reviewed will be appreciated too for those who want to investigate further.  Don’t ignore the long tail – those who have decided reading is not for them – and be sure to share a range of genres, subjects, authors, series and especially non fiction and ready-reference titles because it just might be the hook that gets the reluctant reader on the line.  Know your readers and share suggestions and links to sites that meet their needs in some way.

The Australian Kids & Family Reading Report investigated what it was that was wanted in reading materials…

what_kids_want

Because it is unlikely that parents will be able to provide everything that their child desires in reading materials. investigate if it is possible for your library to make bulk, long-term loans available over the holiday period. If that’s not possible facilitate membership of the local branch of your public library by providing details of what is required and even membership forms.  Emphasise that this is a FREE service as this is not always understood by those new to the country.  Suggest that parents host book play dates or even start a neighbourhood book club. Investigate funding sources or grants that might enable you to give every student the gift of their own book to read. 

Ensure your library’s webpage has links to sites of the “If you like… then try…” variety so students can access suggestions for their next read easily.

For those whose preference is ebooks demonstrate how they can access the school’s collection of these from home or direct them to sites such as WeGiveBooks; Just Books Read Aloud or specific YouTube clips that allow them to hear a book read to them or to sites like the International Children’s Digital Library where they can read for themselves.

icdl

For those whose reading is currently limited to reading instructions for games or making things, offer links to safe, appropriate sites such as Scratch and Minecraft or to author and series sites such as Brotherband, Pottermore or Peter Rabbit where they might be encouraged to move from screen to print.

If your school requires a formal leisure time program or parents request such a guide, construct a challenge such as Dr Booklove’s Reading Challenges which are not only open-ended so the reader still has a significant say in their choice of reading material, but also provide suggestions for parents wanting to extend their child’s reading repertoire. If there HAS to be some form of accountability for what has been read then consider the sorts of tasks suggested through The First Book Club. They might like to make a start on any formal reading challenges such as the Premier’s Reading Challenges which operate in Australian states and territories, particularly if the titles are linked to holdings in the public library. Create a seasonally-appropriate display where students can share what they have read and rate it for others to consider putting it on their to-read list.

There are as many ways for schools and homes to connect via reading as there are school, homes, students and parents. Perhaps you could share your ideas in the comments so others can make this critical partnership even stronger. Whatever you do, make it bring back the love of reading for its own sake so students don’t just view it as Miller’s students did.

Above all, just let them read.

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the presenter’s hat

hat_presenter

 

 

 

I recently read and reviewed Luke, a wonderful addition to the wonderful Stuff Happens series which is “a contemporary reflected-reality fiction series for young boys aged 7 to 11 years old”. In this episode written by James Valentine, Luke suffers from glossophobia – the fear of public speaking.

At the same time I was reading it, I was preparing a full-day presentation for newbie teacher librarians and I realised that while sharing my thoughts with others, either in person or in writing, is not difficult for me, there are many in the profession who are like Luke.  Thus, when the profession’s leaders call for advocacy and tell us it is our job to speak up to ensure that our learning communities know what it is we do, this can be an anathema for many or at least, something with which they are very uncomfortable.

As well, as the new Australian school term starts and northern hemisphere colleagues are thinking about the new school year, the listservs are again filling with requests for advice for undertaking tasks that ill-informed principals and administrators think we should undertake but which do not make the most of our specialist teaching expertise and experience.

So perhaps it is timely to share a few tips and tricks that might encourage the less bold to start being pro-active and educate those around them about what it is we do in this new age when even the need for the existence of libraries is being questioned.

Know your audience

This is the most critical element because it shapes not only what you will speak about but also how you will say it. 

As discussed in the reporter’s hat the teacher librarian has a number of prospective audiences who need to know what we do and why we do it. including

  • pupils
  • parents
  • peers
  • principals
  • pre-service teachers
  • politicians

Each has different interests and needs and each brings different prior knowledge and preconceptions to the table so our language and presentation methods must reflect this. If we are to engage effectively then we must adjust our perspective to meet their needs.

Each also presents a different dynamic to the relationship – the ‘power-balance’ between teacher librarian and pupil is very different to that between teacher librarian and principal, for example – and this can also affect our level of confidence if not competence. 

By carefully considering the purpose of the presentation and what we want the audience to take away from it, either as knowledge or a commitment to action, we are more likely to pitch our delivery at a level that will strike a chord with our listeners.

Know your topic

Be cognisant of what it is that interests your target audience.

Identify what it is you want them to take away from having attended your presentation.  Are you trying to persuade them, inform them, reassure them, entertain them, challenge them, broaden their understanding or consolidate what they already know?  What do you want them to know, do, understand, appreciate and value as a result of your presentation?

A good speech is like a pencil: it has to have a point.

Choose your topic carefully and address it from a perspective that shows them how you can be a partner in the process not an add-on.  Each audience group probably feels they have enough to do without having more layers added to their workload so present from a perspective which demonstrates how you can lighten their load while value-adding to it rather than making it even heavier. Wherever possible, use in-context, practical examples that can be applied immediately while basing that practice on sound pedagogy and evidence that can be delivered if necessary. Make your point, demonstrate it, provide the evidence (or link to it) and wrap it up.

While it can be tempting to think that this might be your only chance to talk to these people, try to avoid a scattergun approach that becomes an “all-I-know-about…” treatise which leaves them confused and bamboozled.  Much better to speak briefly on a focus topic and be invited (or invite yourself) back again than leave them feeling overwhelmed, ignorant and insignificant. 

Remember, it is about informing them rather than promoting you.  


pupilFor pupils, it may be the curriculum and thus your regular teaching program, drawing on your knowledge of their needs and abilities, sound pedagogy and real-world context should cover that. But they may also want to know about the latest releases, exhibitions, game and movie tie-ins  and so forth.  Ask them or have a suggestion box and schedule a regular session that has a student-directed focus.  If they ask for something about which you have no knowledge, seek out an expert – it may even be a student – and even if all you do is introduce and thank the speaker, your public speaking skills will improve, your confidence will grow and you set a model for students to follow.

 

parentsParents are most interested in what their child is learning and how they can support that.  There are a number of opportunities to talk to them about the role library can play in this – at parent orientation nights,   P & C meetings, or even holding special parent participation programs where you can explore topics in greater depth. But rather than giving them an in-depth course on the elements of information literacy or inquiry learning, think about the aspects that are most likely to crop up in the home.  We MUST acknowledge that regardless of what we might preach and practise at school, Google and Wikipedia are going to be major players in both adult and student information searches so starting with a how-to about determining the most effective keywords or looking at the authority of a website to determine its objectivity and currency will most likely be effective starting points.

If the children of your parent audience are much younger than that, then consider a workshop in how to read aloud well or how to select appropriate bedtime stories that will foster the child’s interest in becoming an independent reader.

peersInformation literacy development and skills are now being embedded into the general curriculum, as they should be, so our peers are now expected to be able to help students master those elements of the process that used to be seen as the sole domain of the teacher librarian. The Australian national curriculum is built on an inquiry model, and Guided Inquiry is becoming the common pedagogy.

So this is when your teach-the-teachers hat is most critical. Investigate what it is that your teachers want support with so that their professional learning is relevant and meaningful to them and they are ready to engage with it.  Depending on the structure of your school, work with groups or faculties or the entire staff use an actual investigation they are about to set to explore the element of Guided Inquiry or the Information Literacy Process that they have identified so they are able to put their learning into practice straight away.   

Introduce them to Kuhlthau’s Information Search Process focusing on the Affective Domain so they understand how their students feel as they move through an investigation or assignment and how they, themselves, are probably feeling. As well as teaching them the mechanics of the processes, also indicate how you are able to support their actual teaching through suggesting appropriate research-based outcomes, offering spotlight lessons or resource provision or input into assessment tasks and their rubrics.  Seek to value-add rather than add on.

If it’s possible structure a series of presentations that can be logged as part of their formal requirements for professional learning.

In my opinion, the teaching-the-teachers hat is the most critical role we have because it is easier to influence 30 teachers than 500+ students and have the entire learning community starting to speak the same language.

principalBecause principals are the primary decision makers when it comes to staffing and funding, presenting to principals, either individually or en masse, is one of the most important things we can do to ensure the preservation and appreciation of the profession.  Wearing my university marker’s hat I’ve assessed hundreds of assignments which specifically focused on the obstacles that stood in the way of having a top-shelf library-based program in place.   When every obstacle identified by each candidate was unpacked, it invariably came back to what the principal knew, understood, appreciated and valued about the role of the teacher librarian.  

Although we might think it is the principal’s job to know the ins and outs of the roles of all the staff, this is a big ask as more and more responsibility is devolved on them from above.  So make it your business to teach your principal and others about how you add to teaching and learning in a way that offers them the data and evidence they need to be able to cite in reports and their own presentations.   

 

preservice

The preservice teacher’s experience with a qualified teacher librarian is often limited to the person who was in charge of the library at their secondary school and that is the role model they are likely to have in mind.  Regardless of that person’s effectiveness, in the intervening time the TL’s role will have changed as technology and other developments and expectations march on so we must be prepared to let them know about what it is we can offer, both while they are on their prac and in their early years of teaching.  

In terms of the longevity of the profession, they might be our most important audience because those who come into the profession with the experience and expectation of a top-shelf TL as a partner will demand the same support as their career progresses.

If you can talk to those at your local university about how to best use our expertise on their next prac or internship, then make yourself available to do so.  If your only audience is those who come to your school, make sure your schedule a time with them to spread the word and the wares.  They will be having conversations with their peers and the word will spread and the demand will grow.

politician

 

Have you noticed that whenever there is a political announcement about education to be made, politicians always choose schools and almost inevitably the school library? They come to us!  So use the opportunities to present what you do and can offer,  particularly in relation to the topic the politician is going to be speaking about, so they  can see there is an immediate application and implication for what they are trying to sell.

If there is an upcoming election at local, state or national level, offer a presentation to all candidates, sitting and wannabes, so they can understand what it is a TL adds to the education of their constituents’ children, particularly as education is such a hot-topic election issue.

Be the TL the politician thinks of when the opinion and voice of an educator is needed.

 

Know how to present

Public speaking that engages the audience is almost an art form so be aware of all those things that we teach students when they have to give a speech, present an argument or participate in a debate.

  • Know about enunciation, pronunciation and articulation.
  • Understand volume, speed and tone.
  • Use language -vocabulary and sentence structure – appropriate to both audience and topic. 
  • Consider body language and eye contact.  
  • Research public speaking tips and watch videos that offer suggestions.
  • Be prepared to put more time into preparing the presentation than it takes to deliver it.
  • Know and practice pre-presentation calming techniques that clear your mind so you have just your presentation on your mind.  
  • Know how to deliver your message with passion and professionalism 
  • Avoid jokes at the beginning which often fall flat and leave the audience turned off and tuned out already.
  • Introduce yourself, but keep within the context of your presentation so your audience know you have authority on the topic and the credentials to present it.
  • Provide contact details so participants know that you’re not just there for the duration of the presentation.
  • Be responsive to your reception.  Yawning and fidgeting, looking at mobiles and so forth are not good signs
  • Be empathetic – acknowledge the difficulties that your audience faces, particularity with time, and suggest ways these might be overcome.
  • Demonstrate that you have trodden their path, that you are on their side and you are there to help them collectively or individually.
  • Be flexible – adjust your presentation if needed to explore an avenue your audience is particularly interested in or consolidate an aspect they are experiencing difficulty with.  
  • Be focused – try not to let a particular participant divert the discussion to their agenda, Let them speak but know how to draw the attention back to the focus of the rest of the audience.
  • Appeal to different learning styles with both vocal and visual presentations and embed activity, interaction, participation, and reflection within them.
  • Use podcasts and videos within your presentation to demonstrate or consolidate but keep them short and ensure there is excellent sound and visual quality. Diverting the focus to a “third-party” can make bringing it back to you difficult.
  • Conclude by setting a task or posing a question that will ensure your audience continue to think about what you’ve offered after they walk out the door.
  • Follow up by establishing an email group, a Facebook group, a blog post, a wiki – whatever suits them and the topic so ideas can be explored, questions answered and new networks built.
  • Above all, be yourself. It’s the easiest way to relax and deliver your message effectively.

Make sure you have finished speaking before your audience has finished listening.

In Valentine’s story Luke doesn’t overcome his fear entirely, but he does find a solution that works for him. That is the aim – find out what works for you.  Mark Twain has been quoted as saying, “There are only two types of speakers in the world: the nervous and the liars.” Hopefully these tips will help you pull on your presenter’s hat with a little less anxiety.

 

 

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the sorting hat

hat_sortingThis is not the hat that will decide whether you’re assigned to Hufflepuff, Ravenclaw, Slytherin or Gryffindor.  

It is much more contentious than that.

This is the hat you put on when you decide how you are going to arrange your collection – alphabet or genre – and, currently, one of the hottest topics on discussion lists I belong to. Any question about changing the arrangement from the more traditional author-alphabet base to one based on the perceived genre elicits hot and fierce debate as proponents and opponents put their perspective.

The common arguments are…

  • students find it easier to find the sort of book they want in a collection sorted by genre 
  • collections arranged alphabetically keep all the titles by the same author together
  • if students only select from a preferred genre their reading choices are narrowed
  • students prefer the bookshop look of the library because it is more modern
  • if students learn the traditional method of the first three letters of the author’s name they will be able to transfer those skills to locating titles other libraries
  • one title might fit a number of genres so how will its placement be determined

In my opinion the decision is easy and is based on the belief that

The collection exists to meet the needs, interests and abilities of its users and to meet those needs it must be accessible

Therefore, as the teacher librarian we must know our readers and what their needs are. What might be appropriate for the users in one school library might not work for the users in the school in the neighbouring suburb because each school population is unique.  

Even if we currently classify fiction in alphabetical order by using the first three letters of the author’s name, we have modified Dewey’s original arrangement (because he assigned specific numbers between 800-899 to literature) so that users can find what they want more easily.  Then, to make it even easier, we might shelve all the episodes of a particular series together or pull all the fairytales into one smaller collection. We separate based on format – picture book, novel, information book, DVD – and intended target audience such as junior fiction and senior fiction. In the non fiction collection all the biographies might be shelved in one spot rather than in their specific subject of expertise as Dewey mandates or the puzzle books might have their own space so they are easier to find and shelve. Already we are ‘tampering’ with tradition and accepted practice because we want to make the resources more accessible to those who are using them.  

Arranging the collection to meet the needs of the users

Arranging the collection to meet the needs of the users

So why is the decision to arrange the collection according to genre so controversial?

Firstly, the term ‘genre’ must be clarified because there is a tendency to interchange the word ‘genre’ with ‘text-type’ leading to confusion between format, purpose and content.  Genre itself just means ‘a type or a category’ and it is generally applied to literature, music and the arts.  Within literature it refers to prose, poetry, drama or non fiction, each with its own style, structure, subject matter, and the use of figurative language.  

However, in education realms it is also often used to describe the author’s purpose – to persuade, inform, entertain or reflect. And these categories have been broken up even further …

 

An overview of some of the more common school genres

An overview of some of the more common school genres

Rose (2006) cited in Derewianka, 2015

However, in terms of the arrangement of the collection we are referring to another ‘definition’ of genre – those divisions of fiction based on theme, plot, characters and setting.  It refers to categories such as adventure, romance, fantasy, historical and contemporary fiction although there is a much larger list of possibilities and the sort of arrangement that is proposed has become known as ‘genrefying’.

If we return to the the underlying premise that the collection exists to meet the needs, interests and abilities of its users, then it stands to reason that as a priority we need to identify what those are, particularly in relation to their preferred way of selecting their reading resources for leisure and pleasure. We need to ask questions to identify if genre is their first and primary criterion for selecting a new read and the sorts of stories they like to read.  (Thinking Reading  provides a starting point to survey your readers on a number of issues to enable informed collection development.) My experience and research has shown that, generally, primary age students do NOT use genre as their search criteria. While they may like mystery or adventure or whatever books, their choices are made based on

  • peer or teacher recommendation
  • series
  • popular movie, television or game tie-in
  • author
  • cover
  • blurb
  • serendipity

But my experience is not your experience and all sorts of factors come into play such as

  • the age and maturity of the students
  • their proficiency with English (or the predominant language of your collection)
  • the focus of the curriculum
  • their access to reading materials beyond the school
  • their understanding of the concept of ‘genre’

So it is essential that you delve into the reading habits of those who will be reading to understand what will suit them best.

Should you discover that a collection organised by genre is what is best for your clients, then there are still a number of other questions that need to be asked and answered by the stakeholders before making such a significant change because not only is it a huge job absorbing human, financial and time resources it must also be sustained and sustainable. Those questions include…

  1. Why is the change being considered?
  2. Is this a sound reason for change?
  3. Is the change based on identified user needs or preferences?
  4. Why is what is currently in place not working? What is the evidence that it is not? How can it be changed or modified to work rather than introducing a non-standard ‘fix’?
  5. Is the solution based on sound pedagogical reasons whose efficacy can be measured?
  6. How do the proposals fit mandated curriculum requirements? 
  7. Can the proposed change be defended based on user need, sound pedagogy, curriculum requirements AND established best practice?
  8. What reliable evidence (apart from circulation figures) exists to support the changes and demonstrates increased engagement and improvement to student learning outcomes?
  9. Will the proposed changes lead to students being more independent, effective and efficient users of the library’s resources?
  10. Will the changes impact on the students understanding of how other libraries are arranged and their ability to work independently within those?
  11. Have students had input into the proposal?
  12. How will the change support the Students’ Bill of Rights?
  13. Will the change marginalise or discriminate against any users such as identifying their below-average reading level or sexual preferences?
  14. Will the change broaden or narrow the students access to choices and resources?
  15. Is it based on school-library best practice? Are there successful models (measured through action research and benchmarks and published in reliable authoritative literature) that demonstrate that this is a sustainable, effective and efficient model to emulate?
  16. Will the change make it easier to achieve your mission statement and your vision statement?
  17. How do the changes fit within your library policy, which, presumably, has been ratified by the school’s executive and council? Will the change in procedure require a change in policy?
  18. Who is responsible for developing the parameters of the change and documenting the new procedures to ensure consistency across time and personnel?
  19. If a change is made, what S.M.A.R.T. goals will be set to measure its impact?
  20. When will the impact of the change be assessed and what evidence of success or otherwise will be acceptable to the stakeholders?
  21. Who will do the measuring and ensure that the conclusion is independent and unbiased?
  22. If those goals show no change or a decline, will the library be willing to reverse the process? Will this be a practical proposition?
  23. How will the proposed change impact on the role and workload of the teacher librarian?
  24. How will the proposed change impact on the role and workload of other library staff? 
  25. If the change changes the traditional library arrangement, how is consistency across time guaranteed if personnel change because decisions are  subjective?
  26. Who is responsible for developing and maintaining the criteria for placement and the Procedures Manual to ensure consistency?
  27. Is the change worth the time that is invested in re-classifying every title and the money invested in new labels, staff wages etc?
  28. Could that time and money be better spent?
  29. Would better signage, including more shelf dividers, address the problem?
  30. What role can displays play in highlighting different and unfamiliar resources to broaden access and choices?

Documenting the answers to these questions (and others that will probably arise along the way) not only demonstrates your professionalism and the depth of consideration that has gone into the decision but also provides you with a solid foundation of evidence on which to defend that decision should it be challenged.

Having invested the resources in making the change, a new range of issues arises particularly in relation to how you teach staff and students how to use the new arrangement effectively, efficiently and independently.

  • Do they understand the concept of ‘genre’ in this context and the sorts of criteria that distinguish one from another?
  • How will you teach these?  Will teaching the characteristics of each genre become your predominant teaching focus to the exclusion of other curriculum priorities such as information literacy?
  • What will be the genres that you choose and how will these be decided?
  • Are the genre labels appropriate for the users? For example ‘romance’ might not appeal in an all-boys school but ‘relationships’ could encompass the concept.
  • How will the genres themselves be arranged – alphabetical order, popularity, size of the particular collection?
  • Will individual titles within each genre then be organised in alphabetical order of author or is there another way?
  • How will you deal with titles that span two or more genres?
  • How will the genre of each title be identified both on the book and in the catalog?

The arrangement of the resources in your library has to be based on so much more than the outcomes a retailer might be wanting to achieve.  The school library is not a bookshop on steroids and the sorting hat must be one that is put on with extreme care and consideration.  Of all the hats we wear, this is definitely not a one-size-fits-all.

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the transition hat

hat_transition

At the end of 2015 I finally hung up my going-to-school hat after 45 years of being in both the primary classroom and the school library.  Even though I officially “retired” in 2006, I’d still done a lot of casual relief work but for all of 2015 I had been back in a school library with my teacher librarian hat pulled on tightly.  However, I made the decision it was time to move on to new things. With this decision came the need and opportunity to consider what it was about the library I was in that made it unique to its situation and what the new incumbent would need to know to make the transition between us easier.

retirement

As the academic year draws to a close in the USA and elsewhere, and indeed teacher librarians everywhere are moving on to new schools or new lives, I thought it might be timely to consider what it is that we can do to make the transition from us to someone new go as smoothly as possible. What are the things we could and should do that will make for a seamless transition?  While many things are common to all school libraries, each has its own idiosyncrasies that make it unique and knowledge of these makes the new person’s job much less stressful.

However it is essential that the newcomer realises that the purpose of what you leave is not so that you can be the puppet-master from afar but a guide on the side so a welcome note, some flowers, something joyful to accompany what is likely to be a big pile will always be appreciated.

Here are some suggestions drawn from my own experience and that of others who generously contributed ideas to the online forums I belong to.

people

people

People are the key element of a library’s success and knowing who’s who is such a head start. Identifying the essential personnel will be enormously helpful but keep any comments, written or verbal, strictly professional.

  • if it’s possible and practicable, introduce the new TL to the library staff, parent volunteers, student leaders by hosting a morning tea before school starts where they can get to know each other without the busyness of the job to distract them
  • it there are paid library staff members, create a list of their current roles and responsibilities, timetable and other pertinent information
  • provide a thumbnail sketch of each person’s preferences and strengths so your new TL knows who the go-to person is if they want a display mounted, cataloging done, an ICT issue solved and so on
  • provide an outline of the nature of the student population such as whether there are significant indigenous or non-English speaking or LGBTQI groups and so forth who have specific needs that must be catered for
  • if there is a student leadership team for the library, identify those students who are likely to continue in this role and the program/expectations they follow
  • share the names of supportive staff members who are keen to collaborate or who know the collection well – those the new person can go to for advice if required
  • provide an outline of the chain of command so it’s clear who the supervisor is, who to go to for procedural or financial advice, who to go to for technical support and so on
  • make it clear if there are in-house committees or curriculum teams the TL is expected to join or take the leadership role
  • create a list of outside contacts such as frequently-used vendors, book fair co-ordinators, TLs in nearby schools, the local TL network co-ordinator, ICT Help Desk, even the local MP’s secretary and news editor if yours is a school that hosts events where politicians and the press are invited
  • if you are willing or able to be contacted for urgent questions, then provide your contact details

 

paperwork

paperwork

  • a sample teaching timetable is useful because even though it’s likely to change it provides a guide of expectations of the workload and its scope
  • a sample daily timetable indicating current hours the library is open, for whom and for what purposes. Include period and break times and any formal supervisory duties
  • a sample yearly timetable of events that the library has a leadership role in such as National Simultaneous Storytime, Book Week, Premier’s Reading Challenge, book fairs, community celebrations and in-school events including P&C and School Board functions
  • a calendar of requirements such as the submission of the budget; closing date for expenditure; subscription expiry dates; newsletters; student reports; anything already scheduled for the upcoming year such as a book fair
  • if you provide newsletters for faculties, contribute to the annual school report, share professional articles and so on, provide samples of these and the timeline and process you follow as well as a list of recipients
  • a copy of the current budget, annotated where necessary to identify priorities of the current collection policy including those yet to be fulfilled including details of ongoing grant submissions
  • a copy of the mission statement, the current strategic plan and critical policies such as those relating to the running of the library, collection development, collection management and circulation
  • a summary of the short, mid and long-term goals so the new TL can see the direction being taken at a glance (Just because the personnel changes, ratified policy shouldn’t have to.)
  • library procedures manual and diagrams of common workflow tasks especially if they are done by or involve others
  • list of “big picture” tasks recently completed or which need to be done such as inventory of a certain section
  • “cheatsheets” of essential information like logging into the circulation system
  • social media platforms used and how to access these
  • emergency routines such as fire drills and lockdown procedures
  • staff handbook for general school routines and procedures
  • school behaviour management procedures so that  there is consistency and continuity of expectations
  • sample forms used for budget submission; purchase suggestions; library bookings; curriculum planning
  • library-specific curriculum documents if applicable
  • procedures relating to the use of technology, games, makerspaces, access to new books and so forth – students will ALWAYS quote the previous TL’s rules if they perceive any sort of discrepancy
  • a list of above-and-beyond tasks currently undertaken by the library and which are likely to be expected to continue such as textbook management and equipment storage, maintenance and repair
  • an outline of external programs that your school is involved in and for which you have leadership such as Accelerated Reader, the library’s responsibilities in relation to these and any library-specific procedures

 

passwords

password

  • list generic passwords for
    • the circulation system
    • the library management system
    • online subscriptions such as databases, encyclopedia, ebooks
    • accessing the school’s computer network and/or learning management system
    • accessing library booking system
    • student sign-in system
    • social media access including any wikis or websites administered through the library
  • if passwords are not generic then list instructions for how they are generated by individuals

 

practicalities

practicalities

  • the hours the library is open beyond core school hours
  • if you have keys, leave these labelled 
  • if you are required to mark the roll or have some sort of sign-in mechanism leave the details of this
  • if you are required to collect statistics on circulation, library use and so on detail these as well as any software or LMS reports that you use
  • if you are required to supervise students who have ‘free’ periods, leave information about expectations for performance such as whether they are required to undertake formal study or whether it is a time to chat and play games.  Include the hierarchy for behaviour management issues.
  • if you are required to be on duty at each recess or lunch, indicate when you take the mandatory breaks yourself )and where the toilets and staffroom are)
  • clarify whether students are allowed to have food and drink in the library
  • the location of and access to services like photocopying and laminating as well as supplies such as printer paper
  • how the library is impacted by inside duties if the weather is inclement

 

peripherals

peripherals

Many, if not most, teacher librarians wear many hats beyond those of the core business of curriculum leader, information services manager and information specialist and there may be an expectation by administration, executive and colleagues that the newcomer will continue to provide these “extra-curricular” services.  So if you have taken on responsibilities such as co-ordinating pre-service teachers during their internship or the invigilation of exams and so forth, then ensure your successor is aware of these added extras so they can consider their role within them.

Other issues that are worth sharing include 

  • if you open early or close late and this entitles you to time-in-lieu  and when this is generally taken
  • if the library is used regularly for staff meetings and functions whose responsibility it is to set up and restore the environment
  • the care of any plants or wildlife housed in the library
  • the teacher librarian’s responsibility to lead staff  professional learning particularly in ICT hardware and software
  • any parent participation programs that you run
  • your responsibility, if any, for the procurement and maintenance of ICT hardware

However, these suggestions come with a serious caveat.  You leave these guides because YOU have chosen to move on and you are being replaced by a suitably qualified professional.  Sadly, many administrators and principals are looking to cut budgets and think that they can do this by employing a non-school librarian, a paraprofessional, an administrative clerk or even parent volunteers because despite all the advocacy and education about what it is a top-shelf teacher librarian can bring to the table, they still think that it’s just about book circulation. Similarly, as shown through a recent online discussion, others are trying to replace their ‘teacher librarian’ with a ‘digital learning specialist’ or other fancy sounding name because, again, they are still stuck in the notion of the position having remained static since their own childhood school experiences.

I have long advocated that in those circumstances you leave only that which belongs to the school itself and put none of your time and energy into creating lists and notes and so forth,  While this may sound harsh and tough for the person coming into the position, it is my belief that if the decision-makers are driven by counting beans, then beans should be all they get.  We know, ourselves, what it is our tertiary and professional learning in our specialist areas of information literacy, digital citizenship, literature appreciation and so forth bring to the education experiences of our students  and there is plenty of literature and research that is readily available to support this  and, in my opinion, if the hirers and firers choose to ignore this and withdraw this expertise and experience from the staff and students, then they must live with the consequences of that decision.

While that may seem harsh and unfair to the person who is going to fill your shoes and follow your footsteps, nevertheless if we, as a profession, are to continue to make the difference is out students’ education that all the research attests to, then we have to take a stand that will show that the role is much more complex and diverse than many realise and we do so much more than scan the barcodes on books.

The other warning is that, hard though it may be, you have to let go and if the new person chooses to do things differently, then that is their choice and their responsibility. “Doing what we’ve always done” is the greatest inhibitor of progress and change and so we must accept that once we walk out the door for the final time, that’s it.  We have done our best with what we know and have and now it is time for someone else to move things forward.

Each of us works in a unique situation so although our “big-picture” professional practice will allow us to move into almost any library workplace, it is the detail of the daily duties that make each position unique.  What you leave as a legacy is your decision but by putting on your transition hat and thinking about what you would like to know about your library if you were the one moving into it you will have a foundation for what to leave for the person who follows you.

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